Up Beaver Creek has been published

Up_Beaver_Creek_Cover_for_Kindle (1)My new novel is available now at Amazon.com. It’s not fully fledged yet. My official launch party is not until July 8. But you can buy it now. (I’ll excuse you for a minute if you want to go do that.) No, it’s not in the bookstores yet. Or the library. I don’t have copies to sell you. They’ve been shipped but haven’t arrived. But all that will happen within the next month.

I’ll be honest. I have published this through my own Blue Hydrangea Productions company via Amazon’s KDP publishing program. I didn’t want to publish my own books anymore. It’s a lot of work. But the book needed to come out. Plenty of famous authors have self-published (Stephen King, Mark Twain, Margaret Atwood, e.e. cummings). Besides, people need to read about the imaginary tsunami before the real one happens.

Tsunami? Yes, in Up Beaver Creek, the long-awaited tidal wave hits the Oregon coast. Read the book to see what happens and hope your neighbors are as well prepared as P.D.’s are.

This book is fiction. The people are invented, but the setting is real. As everyone living on the Oregon coast knows, the big earthquake and tsunami are coming.

Up Beaver Creek is P.D.’s story. She’ll never tell you what the initials stand for. Nor does she want to be called Cissy, her old nickname before her husband Tom died, before she launched herself at 42 into a new life with a new name, a new look, and a new determination to realize her dream of being a professional musician. Am I writing about myself? No. I’m a widow and a musician, but I am not P.D. I wish I were that bad-ass. I would never do the things that P.D. does.

“P.D.” is a state of mind, a tougher, wiser, upbeat attitude that makes the former Cissy work out at the gym, cuss, and try things she would have been afraid to do before. She will not whine or give up.

For a long time, I called the book “Being P.D.,” but the general reaction was “huh?” So I changed the title.

My book launch party is scheduled for Sunday, July 8 at 2 p.m. at the Newport Public Library. There will be readings, discussion, books to buy, and a big cake. I might even give some books away. So come join us.

I welcome opportunities to read and talk about this book and all of my books. For a full list, visit my book page at suelick.com. We can discuss starting over as a widow, living on your own, what to do and not to do when the tsunami hits, how to get books published, and other topics. If you would like a guest post for your blog, I’m interested.

For information about any of this, email me at suelick.bluehydrangea@gmail.com, click on my web page at suelick.com, or visit my Facebook page, www.facebook.com/suelick. You can also find lots of information at my Amazon author page.

As always, I welcome your comments here.

Psst! Wanna read a novel that’s not out yet?

I’m doing something that really scares me. I’m inviting people to be “beta readers” for my unpublished novel, Up Beaver Creek.

The experts say that’s the thing to do before you independently publish. So I’m sending out copies and asking people for their honest answers to questions about the book, things like: Do you like the title? Can you identify with the main character? Do you get confused or bored? Have I got the setting right? Do the events that happen sound real? This story takes place on the Oregon coast, and I live in fear that my fellow Oregonians will tell me I’ve got it all wrong.

The thing is, I feel done with the book. I put it through the critique group wringer, rewrote it several times, pitched it all over hell and gone, and I’m more than ready to have it out in the world. With today’s technology and Amazon’s Createspace, I could make that a reality this week. But the experts say I need to get feedback and do a final rewrite first. What if I don’t want to know? Too bad.

Writing is a crazy business. If I were a plumber, I wouldn’t invite people to come look at my work and tell me whether or not they like how I did it. Unless the pipes burst or the sink overflowed, I’d pack up my tools, collect my money, and never look back.

Being a newspaper reporter was a little that way, too. You write it, turn it in, and move on. Once in a while, someone might object or you might get special praise for a particularly good story, but in general, I just moved on to the next assignment.

But in this book biz, your work is forever being analyzed, reviewed and criticized. You revise, revise, and revise again. Before you publish, you do your best to make sure it’s as close to perfect as possible. I’m not just talking about typos, although every single one is an embarrassment. No, I mean the whole story overall. Does it make sense? Will the reader finish thinking, “Huh?” “That was lame,” or “Wow, that was good”? We want the latter, of course.

Your family and friends will usually tell you it’s wonderful, even if it isn’t. Hence, the beta readers. The name comes from the high-tech world where programmers release a beta version of a new program to outside people who will test it. The alpha version could be compared to the first draft, which the programmers test in-house.

I could still use a few more readers. It’s a novel, a light-hearted one which should be fun to read. The questions are not difficult. Beta readers will receive a finished copy of the paperback and their names will be listed in the acknowledgements. If you’re interested, click on bit.ly/2qM9zJt for the enrollment form. To read an excerpt from the book, click on https://suelick.com/new-novel-up-beaver-creek.

This is a lot like letting people see me without makeup. Or maybe more like inviting strangers to comment on my face. No way! But a book is just words. They can be changed.

Thank you for being here. I welcome your comments.

 

Unleashed in Oregon blog book is born

Unleashed PB coverWell, I did it. Soon I’ll be holding a paperback book copy of Unleashed from Oregon: Best from the Blog. It will have tangible form, unlike these weekly blog posts in cyberspace, which could disappear if something happened to WordPress, Wi-Fi or the Internet. It will also put together related posts from various times and places to create a new story.

What’s in it? You’ll find the answers to these questions and more. What is a Californigonian? What was waiting by the door that night? What possessed us to adopt two puppies at once? How is playing the piano like ice skating? Why stay in Oregon when it rains all the time and the family is still back in California? Chapters will look at the glamorous life of a writer and the equally glamorous life of a musician, true stories from a whiny traveler, being the sole human occupant of a house in the woods, and dogs, so much about dogs.

With over 500 posts published over the last 10 years, I had to leave a lot out. Frankly, many of those posts deserved to be left out. They made sense at the time, but now not so much. The photos in the book are black and white because the cost of color photos was prohibitive and this isn’t a coffee table book. I refuse to charge people $40 a copy. I wanted it to be fun and inexpensive. And it is.

Putting Unleashed the book together has been a challenge. The cover I loved for the e-book didn’t work for the paperback, so they’re different. Choosing the posts, finding the files, and finding the original photos (I need a better system!) took time. Remind me not to try formatting another book with pictures. Also remind me to use a real camera instead of my phone. Getting photos, page numbers, and headers to line up, yikes, but I think you’ll like the result.

Portuguese-American novel lives again

AD new cover 6816 bigSummer 2016 is becoming the summer of revisiting and revising past writing projects. First I did a new edition of Stories Grandma Never Told: Portuguese Women in California. Now I have a new edition of my Portuguese-American novel Azorean Dreams. This is the novel I wrote while I was still trying to sell the Grandma book. One of the women I interviewed, who had published her own book, convinced me that a novel would sell better than nonfiction. I no longer believe that’s true, but since nothing was happening with “Grandma,” I started writing a novel. Some of the people, places and events came directly from my experiences researching Stories Grandma Never Told. Others stem from things that were happening in the late 1990s in San Jose, California. And a lot of it is from my imagination.

My protagonist, Chelsea Faust, is a newspaper reporter working for a local weekly but with ambitions to move up in the business. She’ll do anything to prove herself as a great reporter. Although her mother’s side of the family is Portuguese, with roots in the Azores Islands, she doesn’t know or care much about her heritage. Then an assignment sends her into Little Portugal, and she meets the handsome Simão Freitas, who has not been in the U.S. very long. Romance blooms, but they disagree on many things, plus an incident from Simão’s past threatens to ruin everything.

I never imagined anyone real could have the name Chelsea Faust, but there is a real Chelsea Faust, with whom I connected online. She’s okay with her name being in the book. I have not met a real Simão (sim-OW) Freitas, but there probably are several men with that name because it’s pretty common.

Anyway, my Portuguese-American mother got a chance to read Azorean Dreams before she passed away, and she loved it. For that alone, I’m glad I published it when I did. The first time, I went through a company called iUniverse, that offers “print-on-demand” publishing, meaning when an order comes in, they print a book. There are not boxes of printed books sitting around somewhere. You pay for the service and—here’s the catch with these companies—you pay for copies of your own book. Their designers decide what the book will look like. They also determine the retail price.

To be honest, I never liked the look, the size or the price of the iUniverse version. I have seen the same cover art photo used in advertisements for several products. The background is not even the Azores. I’m pretty sure it’s Italy. The print inside is huge, making the book itself huge. And they charged $20.95 a copy. Who would pay that much for a paperback novel by an unknown writer? Judging by my sales, almost nobody. But I had signed a contract and thought I couldn’t get out of it. I was wrong. As of last month, I am free from iUniverse. They’re not all bad, but it didn’t work for me.

A few years ago, I revised Azorean Dreams a bit and published it as a Kindle e-book. Same stupid cover. But now I have a new cover for both the e-book ($2.99) and the new paperback version. I used Amazon.com’s CreateSpace program, which allowed me to design the whole book myself, so now I love the way it looks. It’s a more reasonable size and price, $14.95. I feel so much better about it, and maybe a few new readers will take a look.

Now I’m immersed in another project that I will tell you about soon. Happy summer, everyone. Get some books and start reading.

 

Portuguese grandma book lives on and on

Stories_Grandma_Neve_Cover_for_KindleStories Grandma Never Told was conceived one day more than 25 years ago when I was hiding out in my parents’ vacation trailer making random notes in the wake of publishing my first book, The Iberian Americans. That book was an overview of the experiences of immigrants from Portugal, Spain and the Basque Country. My roots lead back to all of those places.

What about the Portuguese women, I asked myself. What has been passed down from my great grandmother to my grandmother to my mother to me that makes me who I am? The eyes, the nose, the body, yes, but what else? Who were these women? The few books about Portuguese immigrants that I had found focused on the men, as if the women didn’t come at all. There were stories to be shared.

The result was my next published book, Stories Grandma Never Told: Portuguese Women in California. The title is slightly misleading because the book does not include my grandmother’s stories. I never heard them. Instead, I looked up “Portuguese” in the phone book (pre-Google) and started interviewing women: family, friends, people who were active in the Portuguese community and the people they insisted I speak to. I had never been exposed to much of the Portuguese culture. A few words, a few foods, but not much more. My parents’ generation insisted on being as American as possible. Forget the old country. But I got involved, I learned, and I wrote.

It took almost a decade to get this book published. We had already moved to Oregon when I finally got the letter (pre-email!) from Malcolm Margolin of Heyday Books offering to publish Stories Grandma Never Told. It was released at The Dia de Portugal celebration in San Jose in June 1998. That was one of the best days of my life. My family was there, and the books sold like crazy.

Eighteen years later, the book is still selling, but not in the same way. After nine years doing a fantastic job with my book through three printings, the people at Heyday decided it wasn’t selling enough to be worth doing another printing. But it was still selling, and I wasn’t ready to let it go, so I started my own publishing company, Blue Hydrangea Productions, hooked up with a local printshop, Lazerquick in Newport, and produced my own edition with a gorgeous new cover photo of my grandmother, Anne Avina, on her wedding day.Stories Grandma Never Told_justified text.pmd

That first Blue Hydrangea edition kept selling. I went through three printings, and I’m still getting orders. I’m out of envelopes and almost out of books, but Stories Grandma Never Told lives on. I am releasing a new edition this month through Amazon’s CreateSpace print-on-demand program. You can order it online right now. Again, we have a new cover. This one features my great grandmother, Anna Souza. Why go through Amazon this time? Cost and efficiency. It costs me nothing, saving me a big printing bill and allowing me to charge less for the book. I can also offer it as a Kindle ebook for the first time ever. Plus, since most of my orders come from Amazon, they won’t have to get the books from me, meaning readers can get copies more quickly. I will still get paid and should make more money than before.

Why self-publish? These days, it’s a big question in publishing. It’s so hard to get accepted by traditional publishers, although I have done it several times and expect to do it again. Some self-published books are poorly written and badly edited, but many respected authors are taking control of their own careers by publishing their own books. We have the technology now sitting on our desks. Why depend on someone else?

“Grandma” was originally edited and formatted by the best at Heyday Books. I’m just keeping their work going. Why? Because the readers still want the book, and they don’t care how it came to be. I marvel at this, that I wrote something people want to buy and share with their mothers, daughters and friends. How could I let it die?

Grandma Souza, who died in 1954, would be shocked to find her face on the front of a book. She never learned to read in either Portuguese or English. But here she is, digitized in 2016 and being written about in a “blog.” As she might have said, “Ay, Jesus.”

 

 

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