Can you describe yourself in one word?

If you had a theme song, what would it be? What makes you, you? Authors are forever being preached to about “platform,” that combination of achievements and media attention that makes everybody know who they are—or at least everybody in their chosen field. Stephen King, for example. His brand? Horror fiction. In Catholic music right now, Sarah Hart is known for sweet singable songs for liturgy and beyond. Football? Tom Brady. Hell of a quarterback at an age when most players are retired. Even I know that.

I have been attending an online workshop called The Writers Bridge. Leader Allison K. Williams preaches that a platform is where someone stands and yells while a bridge is where you make a connection. She and her co-host Sharla Yates offer useful information for writers and other creatives trying to be heard over the noise. We’ve talked about websites, newsletters, Instagram, tiktok, Twitter, Facebook, etc. and so much more. The monthly sessions, which are recorded, are free and open to all.

What am I doing with all this information? I’m looking for a way to blend the different types of books I have written and the ones that are coming into one distinctive brand. People always ask, “What do you write?” Saying, “Oh, lots of things” doesn’t get me anywhere. I have published fiction, nonfiction, and poetry, journalistic articles, blogs, and social media posts, written about Portuguese Americans, living in Oregon, being childless, being a dog mom, and being a widow. But what seems to tie it all together is being a childless widow. What makes me stand out in every story is that I am solo in a world of families and likely to stay that way. In fact, we could boil it down to one word: Alone. Theme song: “All by Myself.”

Twenty years ago, in grad school, one of our professors asked each of us to name our “theme.” At that time, I had no idea. Now I would say “Alone.” It shows in my books, whether it’s the narrator of Childless by Marriage, my protagonist PD Soares in Up Beaver Creek or the church pianist in my poetry chapbook Widow at the Piano. Did you know 27 percent of American households are occupied by just one person? Calling out the theme helps us loners find each other.

So what is your brand, your theme? Even if you’re not selling anything, can you describe yourself in one word or phrase? What’s your song? I’d like to hear it.

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New Novel, Seal Rock Sound, is Here!

Book cover for Seal Rock Sound shows a rocky shoreline, dark clouds reflecting on blue water at sunset.

Seal Rock Sound, the sequel to Up Beaver Creek, has officially been published. PD is back.

PD Soares survived the death of her husband, relocation to Oregon, and the disasters that occurred shortly after her arrival at her new home up Beaver Creek Road. Now she can relax and pursue her music career and maybe even a little romance, right?

Wrong. New challenges are coming like sneaker waves. Can you love a man who doesn’t love himself? What is wrong with her mother? And how do you recover when the town that calls itself “the friendliest” proves not so friendly after all? Our red-haired, piano-playing heroine is tough, but is she tough enough?

Book cover for Up Beaver Creek shows a creek running through dense bushes and trees, all very green and blue.

Of course she is, but it won’t be easy.

I’m already making notes for the third book in the series because I just can’t let these people go.

This is my 12th book. Does it get easier to produce a book?

No.

That’s probably not what you want to hear. “Oh, sure I just pop them out like pancakes.” Maybe not pancakes. My pancakes are always burnt or half raw. Let’s say muffins. I’m good with muffins.

Here’s the thing. With each book, I am more aware of the mistakes I need to avoid, more conscious of the pitfalls of careless editing or shallow research. With a sequel, it’s even trickier because every detail has to be consistent with what I said in the previous book. Were Donovan’s eyes blue or green? Which one of Janey’s boyfriends helped her move? Did the house PD and Janey shared have a fireplace, wood stove or radiator? Conflicting details can destroy a good story.

My years of newspaper writing make me a faster writer than many. I don’t agonize over every word or spend an hour writing and rewriting one sentence. I spent too many years knowing I just had to get the story finished by deadline. There was no time for angst or perfection. Now I’m learning to break that habit.

I used Allison K. Williams’ book Seven Drafts this time, and I think I will use it with every prose project from now on. Because I did the seven drafts, this may be the best writing I have ever turned out.

Each draft asks the writer to look at ONE aspect in depth. For example, one draft is devoted to making sure the story makes sense in the order it is written. Does every chapter serve a purpose? Is something missing? Is this chapter too short or two long? Does this scene belong in this chapter or another one or do you need it at all? Do the beginnings and endings of each chapter grab the reader’s attention and make her read on?

Another draft is devoted to characters. Are they all necessary? Who are they? What do they want? What conflicts are they dealing with?

We move on to setting. Can a reader who has never been there see it clearly? Does the time and place play a role in the story? Oregon coast winters are wet and windy. How does that affect what happens to PD and her friends?

After dealing with the larger issues, the drafts get down to unnecessary words, vague language, and words we tend to overuse. This is where we make the writing sing.

All these drafts take a long time, but they pay off.

Once the writing and rewriting are done, production begins: formatting, layout, cover design, drafts, proofreading. It is amazing how the human eye works. Several people proofread this book, and we all found different typos.

Finally the moment comes when you click “publish” and order author copies. You pray this book baby has all its fingers and toes, that the pages aren’t upside down and the cover looks as good in person as it looks on the screen, that the page numbers are where they’re supposed to be, and you don’t see any big ugly mistakes. When your first copies arrive and you see that your book is all right, you hold it to your bosom and weep.

You’re done now, right? Wrong. Now you have to sell it. And that’s a whole other chapter.

Next time you pick up a book, whether it’s in a bookstore, at the library, or in a bin at the thrift shop, consider what it took to turn an idea into this product you hold in your hand. If you’re a writer, don’t let that stop you. Just take it one step at a time.

You can order both Up Beaver Creek and Seal Rock Sound in paperback at your favorite bookstore through Ingram, the distributor used by most booksellers, or in paperback or ebook formats at Amazon.com. I am available for readings and talks live or online. Tell your friends.

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