PD Soares survived the death of her husband, relocation to Oregon, and the disasters that occurred shortly after her arrival at her new home up Beaver Creek Road. But she and her friends survived. Now she can relax and pursue her music career and maybe even a little romance, right?
Wrong. New challenges are coming like sneaker waves. Can you love a man who doesn’t love himself? What is wrong with her mother? And how do you recover when the town that calls itself “the friendliest” proves not so friendly after all? Our red-haired, piano-playing heroine is tough, but is she tough enough?
Of course she is, but it won’t be easy.
I’m already making notes for the third book in the series because I just can’t let these people go.
This is my 12th book. Does it get easier to produce a book?
That’s probably not what you want to hear. “Oh, sure I just pop them out like pancakes.” Maybe not pancakes. My pancakes are always burnt or half raw. Let’s say muffins. I’m good with muffins.
Here’s the thing. With each book, I am more aware of the mistakes I need to avoid, more conscious of the pitfalls of careless editing or shallow research. With a sequel, it’s even trickier because every detail has to be consistent with what I said in the previous book. Were Donovan’s eyes blue or green? Which one of Janey’s boyfriends helped her move? Did the house PD and Janey shared have a fireplace, wood stove or radiator? Conflicting details can destroy a good story.
My years of newspaper writing make me a faster writer than many. I don’t agonize over every word or spend an hour writing and rewriting one sentence. I spent too many years knowing I just had to get the story finished by deadline. There was no time for angst or perfection. Now I’m learning to break that habit.
I used Allison K. Williams’ book Seven Drafts this time, and I think I will use it with every prose project from now on. Because I did the seven drafts, this may be the best writing I have ever turned out.
Each draft asks the writer to look at ONE aspect in depth. For example, one draft is devoted to making sure the story makes sense in the order it is written. Does every chapter serve a purpose? Is something missing? Is this chapter too short or two long? Does this scene belong in this chapter or another one or do you need it at all? Do the beginnings and endings of each chapter grab the reader’s attention and make her read on?
Another draft is devoted to characters. Are they all necessary? Who are they? What do they want? What conflicts are they dealing with?
We move on to setting. Can a reader who has never been there see it clearly? Does the time and place play a role in the story? Oregon coast winters are wet and windy. How does that affect what happens to PD and her friends?
After dealing with the larger issues, the drafts get down to unnecessary words, vague language, and words we tend to overuse. This is where we make the writing sing.
All these drafts take a long time, but they pay off.
Once the writing and rewriting are done, production begins: formatting, layout, cover design, drafts, proofreading. It is amazing how the human eye works. Several people proofread this book, and we all found different typos.
Finally the moment comes when you click “publish” and order author copies. You pray this book baby has all its fingers and toes, that the pages aren’t upside down and the cover looks as good in person as it looks on the screen, that the page numbers are where they’re supposed to be, and you don’t see any big ugly mistakes. When your first copies arrive and you see that your book is all right, you hold it to your bosom and weep.
You’re done now, right? Wrong. Now you have to sell it. And that’s a whole other chapter.
Next time you pick up a book, whether it’s in a bookstore, at the library, or in a bin at the thrift shop, consider what it took to turn an idea into this product you hold in your hand. If you’re a writer, don’t let that stop you. Just take it one step at a time.
You can order both Up Beaver Creek and Seal Rock Sound in paperback at your favorite bookstore through Ingram, the distributor used by most booksellers, or in paperback or ebook formats at Amazon.com. I am available for readings and talks live or online. Tell your friends.